Postmodern Art Essay Example | Topics and Well Written Essays - 3750 words

post forward-looking Art - Essay ExampleThe focus in this essay Postmodern Art is on postmodern ruse. The art world frequently pretentiously demands a certain take of sophistication from its viewers, as a means of separating the two worlds, but many of the best artists postmodernism has to offer, accept the viewers experience existence, experiences, and emotional base as a point of departure from which to present their message. This works as an interpretation for the overwhelming popularity of American artist Jeff Koons, who is arguably the poster boy for postmodern thought and practice. While modern art seems to remain aloof and separated from its audience, postmodernism seeks too coexist on the same level as its viewers, using images from popular culture with which its audience is already familiar, and inverting, twisting, and ultimately destroying those images to create an all in all new thought, and an entirely new work of art. This paper testament discuss the era of postm odern art from its conception with Andy Warhol in the 1960s, to Koons himself and the way that the genre exists today. It is difficult to discuss Jeff Koons and postmodern art without first discussing its conception and Andy Warhol. Koons is often comp bed to Warhol, because he has achieved much of what the revolutionary Warhol had, including a sort of notorious controversial presence. In understanding Warhols motivation, we will certainly come to a better understanding of the motivating factors behind Koons work. The parameters with which we define art are under constant organic change. New ways of understanding concepts of art are at best, tough as new movements force the visual spectator to at times disavow all conceive notions and interpretations of art The emergence of a new art movement enables critics to redefine their own theories and understandings, in essence, to reconceptualize art theory. This is an interesting phenomenon when it takes place, one that truly exposes the theorization and ideologies of art. The emergence of egress Art in the 1950s in Britain and its subsisting inception into American society is one such movement that captures this broadening of art. Andy Warhol was one of the movements most productive artists, helping to truly affirm the position of Pop Art as a credible, enlightening and in Warhols conception, groundbreaking art form. Abstract Expressionism had been thoroughly institutionalized within art history since the Second gentleman War and the arrival of Pop Art and its methods ultimately appeared as a reaction against this school of art. Pop Art found its imagery and techniques from the sociological climate of the sixties in which consumerism was fueled by the slew productivity ethos of the time. Certain artists began to aspire to a hard-edged style of art one that Suzi Gablik believes led to a good strategy facilitated to avoid tasteful choices and to set the stake higher, (Gablik, 1969). The most profound realizati on of this strategy was to be the use of found or ready-made objects within pieces of artwork. Warhol was one of the main propagators of this method, a style of image that would for the first time blemish the distinct qualities between high and low art and find the artist stripped of his autonomy. In Andy Warhol, Crone argues that any attempt to describe or analyze Warhols work, must consider the conditions of reality reflected as more important